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Emmanuel Jal - Ceasefire (2005) Emmanuel Jal Genre-straddling African Christian gospel rapper Emmanuel Jal was born in the village of Tong (sometimes spelled Tony) in southern Sudan around 1980. His mother died when he was still a young child of seven or so, and Jal was forced into a Sudan People's Liberation Army (SPLA) military training camp in Ethiopia, where he was trained to be a soldier, participating in military battles before he was even a teenager. Eventually he left Ethiopia and made the dangerous, grueling journey across Sudan to Waat, which was near his Upper Nile home. From there he was smuggled by his mentor and protector Emma McCune into Nairobi, Kenya. Following McCune's death, Jal became one of the millions displaced by Sudan's violent civil war. McCune's friends and associates saw to it that Jal received an education, and he was able to attend Tala Academy. He began singing around 1998, and was soon active in his local church choir, and formed numerous musical groups, including the Reborn Warriors, his current gospel hip-hop band. He produced a single, "All We Need Is Jesus," and an album, Gua, the title track of which was a number one hit in Kenya. Jal collaborated with Abdel Gadir Salim, a Sudanese Moslem musician, for the album Ceasefire, which was released in 2005, and included a re-recording of "Gua." Since Jal was from the south of Sudan, and Salim was from the north, the collaboration of the two musicians symbolized the kind of unity many have hoped for in the Sudan conflict, and Ceasefire is a major plea for peace and sanity.(from: allmusic.com) MORE AT WIKIPEDIA |
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NoJazz - Have Fun (2005) HaveFun ...If there is a concept behind, it is very simple: to mix the original celebratory spirit of jazz with hypnotic rhythms and contemporary sounds. Acoustic and Jungle, Trip Hop and Fanfares, melodies and samples, funk and jazz happily mingle with drum and bass...(Quote from: www.eyefortalent.com) |
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Aster Aweke - Gela Gela (The best?) A native of Gandor, a small town near Lake Tara, Aweke was raised in the capital city of Addis Ababa. The daughter of senior civil servant in the Imperial government, Aweke was determined to become a musician by the age of 13. By her late teens, she was singing in Addis Ababa clubs and hotels with such bands as the Continental Band, Hotel D'Afrique Band, Shebele Band, and the Ibex Band (before they became the internationally known Roha Band). Launching a solo career, Aweke was encouraged by musical entrepreneur Ali Tango, who financed and released five cassettes and two singles of her music. By 1981, Aweke had become disillusioned by Ethiopia's oppressive political climate and relocated to the United States. Temporarily settling in the Bay Area of California with plans to pursue an education; within two years, Aweke continued on to Washington, D.C., the site of the largest Ethiopian population in the U.S. After building a following with her performances in local Ethiopian restaurants, Aweke toured the U.S. and Europe in 1985. (Quote from: www.allmusic.com) |
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Brazzaville - Rouge on Pockmarked Cheeks Rouge On Pockmarked Cheeks (2002, South China Sea) Rouge On Pockmarked Cheeks, the 3rd Brazzaville album, was recorded in 2000 and 2001. I recorded most of it in my own studio and it was mixed by Michael Rozon, Kenny Lyon, Nigel Godrich and Tony Hoffer. I was in a pretty dark phase of my life when I recorded this record. Motel Room and rainy Night are songs about 2 very close friends that died. North Koreatown is a sentimental ode to the halcyon days of my early teenage years. High Life is the story of an aging fashion model. Trona is about my favorite creepy desert town. Xanax is my little post 9-11 song. Late Night Lullaby was written for my little son. (Quote from: www.brazzaville2002.com) |
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<1> <2> <3> <4> <5> <6> <7> <8> <9> <10> "The real beauty here is Keita's voice, carefully framed and used to maximum effect. High, almost piercing, it's a gorgeous instrument that can ride and transform a melody, whether the lulling gentleness of "Yamore" or the more upbeat -- but never frenzied -- "Iniagige." Overall, it's a record of swaying, seductive gentleness, one perfectly suited to Keita's style." (Quote from: allmusic.com) |
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<1> <2> <3> <4> <5> <6> <7> <8> <9> <10> <11> <12> <13> <14> <15> <16> <17> <18> <19> "Plunkett & Macleane is one of the most surprisingly original and listenable albums of a 1999 score, and shows -- along with The Bone Collector and Best Laid Plans -- that Craig Armstrong is a composer from whom we can expect great things in the future. I, for one, can't wait." (Quote from: soundtrack.net) |
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01 - Born that way 02 - Dizzy with wonder 03 - The last trick 04 - Sleep 05 - Shock activities 06 - Yes 07 - My fellow riders 08 - Can I keep him 09 - This momentous day 10 - Still guarding space 11 - Word is out "Сюжеты ее принципиально бессюжетных песен - это жесты отстраненного самолюбования, сюрреалистические слепки ускользающего мира, зафиксированный поток сознания или осколки внезапных эмоций, игра настроения, помноженная на игру фантазии." (quote from: ANJA GARBAREK "Briefly Shaking" (p) 2005 Comp Music/EMI) |
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